Kent Gibbons's blog

Fox Movie Channel’s Family Ties

Los Angeles – On the next episode of Fox Movie Channel’s series Life After Film School, we find aspiring filmmakers interviewing… Fox Broadcasting entertainment chairman Peter Liguori.

Now that’s synergy.

The episode premieres Sunday, Sept. 2, at 7:30 p.m. Eastern as the Fox-owned commercial-free movie channel expands its originals slate. Other originals include behind-scenes show Making a Scene, Casting Session and red-carpet glimpser World Premiere.

Liguori does have a lot to talk about. On the Life After Film School episode, he gets into the creation of such programming as The Shield, Rescue Me and Nip/Tuck at FX and delves into his goals, strategy and scheduling of the Fox broadcast network, the channel said in a release.

Maybe the interviewers will also think to ask about his associate producer role on the beloved 1996 foodie flick, Big Night.

Fox Movie Channel, launched in 1994 (and called fXm Movies From Fox until 2000) with a library of 20th Century Fox films, in competition with Turner Classic Movies, has tapped many Fox connections on Life After Film School, judging by a list of recent interview subjects.

Recent episodes featured actor Kevin Bacon (Death Sentence, distributed by Fox), producer Seth MacFarlane (Fox’s Family Guy and American Dad), actor Michael Chiklis (The Shield), writer/producer Wes Craven (The Hills Have Eyes II), director Len Wiseman (Live Free or Die Hard), director Shawn Levy (Night at the Museum), TV showrunner Jon Cassar (Fox’s 24) and TV showrunner Rob McElhenney (FX’s It’s Always Sunny In Philadelphia), the channel said.

Wit and Wisdom of Fred Dressler

“How you behave toward others is the essential of living your life: Fred Dressler.”

Old Greenwich, Conn. — Everybody who talks about Fred Dressler has a story, Glenn Britt said. Some are strictly about business, about how Time Warner Cable’s top programming executive could get what he wanted in a contract, and was willing to stonewall, stall, do what it took to make sure his company got what it needed and anticipated future changes in the TV business.

But a lot of the stories are about friendship, about dealing with people the right way, about helping and mentoring, about times “where Fred reached out and did something special,” Britt said, recalling his longtime friend and colleague at a memorial to Dressler last Thursday. Dressler died on Christmas Eve of pancreatic cancer, less than a year into his retirement at age 66.

Britt, Time Warner Cable’s chairman and CEO, said his first Dressler story went back to 1981, when Glenn and Barbara Britt moved to Denver from New York after Time Inc. bought ATC, a cable company for which Dressler was trying to obtain a franchise in Denver. The Britts “were strangers in a strange land,” and Dressler “drew me into what he was doing and he drew me into a friendship. He didn’t have to do that but he did because that’s how Fred was.”

“Fred was different,” Britt said. “He always reached out, even when there was no particular reason.”

Cable seems to be one of those industries built on relationships. It was easy to see why that’s the case, looking around the room among the 400 or so people who came to hear Britt and others tell their stories about Dressler. Many were programmers and cable operators who, like Britt and Dressler, got started in the business decades ago and were still in it.

Another of those longtime friends and colleagues, Andy Heller, said Dressler had rules. “And the easiest rule to follow is it’s always better to make a friend than an enemy, so you should always try.”

Heller said “Freddy used to tell me that friendship is the only thing that we really get to control in our lives. And I think that that allowed him to be a wonderful friend and to teach others to be the same.”

“How you behave toward others is the essential of living your life,” Heller, the domestic distribution president at Turner Broadcasting, said was Dressler’s point.

“That’s why this room is filled with hundreds of people,” Heller said. “Despite the fact that many of you sat across the table from him and heard ‘no,’ or ‘yes but,’ a heck of a lot more often than you heard yes.”

Britt told another funny story, about a programming negotiation Dressler invited him to sit in on. He couldn’t recall who the vendor was, just that he’d been trying to get a meeting with the gatekeeper for months. Britt said what happened next was rather stunning. Dressler proceeded on a verbal “magical mystery tour” that Britt couldn’t follow, and that was probably equally baffling to the man who’d obtained the meeting. “But it was all really polite and wonderful.” At the end, Dressler told the man they really should schedule another session to continue the conversation. The man, presumably pleased, left. Dressler turned to Britt and said, “Of course I’m not going to see him again for six months.”

“That was classic Fred,” Britt said. “But he could also move very quickly if he wanted to.”

When negotiations got tough, and people got stressed, Dressler’s mantra, according to Britt, was: “It’s all about the process. Enjoy the process.”

Britt said he thought about that for years before he really understood what it meant. This problem too, shall pass, Dressler was saying, and then another one will come along that needs resolving. Enjoy solving problems.

Don’t overly exploit an advantage, Dressler told Britt, because there will come a time when you lack the upper hand. “Above all, it’s the people that count. Not the numbers, not the balance sheet.”

In the last months of his life, the love and support he received from far and wide, as testified by his friends and family, proved the soundness of that advice.

 

New Chapter in a Success Story

New York — Eric Brown says he spent 13 years in cable operations, lastly as head of Charter Communications’ six-state Western Division. He loved it, but every day was starting to seem like the one before.

So when The Africa Channel came calling a year ago, seeking carriage, “it plucked a nerve,” Brown said last Wednesday night on the way out of the Walter Kaitz Foundation benefit dinner in New York.

The Kaitz dinner raised $1.7 million to benefit groups that help members of ethnic and racial minorities find meaningful careers in cable operations and programming.

Brown, a 47-year-old African American originally from Hampton Roads, Va., has taken a “leap” amid his own meaningful career, switching to network programming. Going over to “the dark side,” former colleague (at Century Communications) Maggie Bellville joked while friends clustered around Brown as he was leaving the event at the New York Hilton.

Brown said his father, John T. Brown, was an educator in West Africa. So he had a built-in interest in the subject matter – programming from Africa. He then started running into channel CEO James Makawa and president Jacob Arback at the same community events in Long Beach, Calif. He found they shared a desire to have Africa not always be represented as torn by conflict or beset by famine.

“The story’s told by Africans, which is a little different perspective,” Brown said of the channel’s programming. The story is told through a mix of dramas, talk shows, soap operas and music programs, and about 20% of the schedule is taken up with Reuters news from Africa.

“Have you seen the reel?” enthused Craig Watson, VP of communications at Brown’s former system in Long Beach. “It’s amazing.”

Manny Martinez, VP and general manager of Charter’s Central California and Nevada division, said the channel would be joining his digital lineup in Nevada, at an unspecified time. The state has a mixture of Latinos and African Americans, Martinez said, adding, “I think it will cross over very well.”

Brown said the programming should appeal to fans of Discovery Channel, National Geographic Channel and Travel Channel, with healthy doses of African dances and music.

Only about three weeks into the job, Brown’s new business cards were gone by the end of the Kaitz dinner, and the two-day NAMIC conference that preceded it.

Brown kept in contact with the Africa Channel founders, who agreed there was a good fit. His earlier marketing background helps, even though he’s never been in affiliate sales, pitching operators on carriage for Africa Channel outside such key existing markets as Baton Rouge and New Orleans, La., (Cox); Detroit, Atlanta and Washington, D.C. (Comcast) and, on Charter, Fort Worth, Texas.

Brown puts the U.S. distribution at about 12 million.

The channel, which launched in 2005, was still raising the funds it needed, Brown said. So he told the principals to let him know when they were ready. Meanwhile, he left Charter in March, playing golf and sharing family time.

The fundraising was completed in July, Brown said, while not disclosing how much. Initial investors include basketball stars Dikembe Mutombo and Theo Ratliff.

Brown started out in consumer-brand marketing (Procter & Gamble, StarKist Tuna) before breaking into cable at Times Mirror Cable in Irvine, Calif.

He reflected a bit on his opportunities and relationships during the Kaitz dinner and NAMIC sessions earlier in the week, he said. “I don’t know if I’d still be in the industry if it weren’t for organizations like NAMIC.”

Coming into cable not knowing anyone, “it was the NAMIC network that introduced me around, kind of showed me the ropes, and I’m very thankful.”

Spencer Kaitz, who co-founded the Kaitz Foundation (named for his late father), also mentored him, at the California Cable Television Association. Last night Kaitz “made a beeline across the floor” toward Brown, wanting to catch up.

Having made a mark in cable already, with the next phase of his career under way, Brown said that now “one of my priorities is making sure I give back.”

And for anyone who thinks the Kaitz dinner is basically just a nice annual gesture, he recommends more people who come to the dinner also attend NAMIC conference sessions, to get a better sense of the value of diversity initiatives in cable.

Insight Wants to Grow, After it Shrinks

Insight Communications CEO Michael Willner looks ahead at running a small, or at least smaller, cable operator and sees the glass as half full.

Half full is right, as Insight will soon, if all goes as expected, be about half its current size of 1.36 million subscribers.

The other half (systems in Illinois and Indiana) are shifting over to Comcast later this year. Comcast exercised its option to sever the Insight Midwest joint venture in that way.

But there are reasons Willner could be seeing the glass as half empty, instead.

Insight will lose more than just top-10 cable operator status. It’s losing the buying clout that comes with being aligned with 24-million-subscriber Comcast. Basically, it’s dropping into National Cable Television Cooperative status.

That’s meant renegotiating programming contracts – talks that are in the late stages and could, Willner says, lead to channel drops.

Channel drops can mean subscriber losses. And Insight is rightly proud that it’s growing subscribers. Its third quarter report will include a gain of 21,100 basic customers (on a base of 1.36 million) at a time when Comcast just reported a quarterly decline of about 65,000 basic customers.

Comcast’s decline spooked investors worried about video competition, and depressed cable stocks. (Some analysts called the sell-off an over-reaction, as telco video numbers are rising but the third quarter actually saw soft sales of telco DSL-satellite-TV bundles.)

Insight tries to avoid “distractions” that could lead to subscriber drops, Willner said. And never acts like an arrogant incumbent, he said.

That’s one reason Insight recently added Big Ten Network to the systems it’s retaining. Calls from fans wanting the network spiked both before and after it launched and before Insight added it. (Another reason is BTN is part of the Fox Cable empire, with which Insight is negotiating.)

“You just don’t want to let things interfere with a well-oiled, humming machine,” Willner said a couple of different ways during an interview with him and COO Dinni Jain last Tuesday.

Jain said Willner and he are planning to run Insight for the next three, four, five years, “whatever it takes,” at its reduced size.

That’s even though Insight this past spring sought offers for “Insight Systems Group” – the 639,000 plus customers in Kentucky; Evansville, Ind.; and Columbus, Ohio, that stay in the fold.

“We were reviewing our strategic alternatives,” Willner said, disputing September reports that described it as an auction that was halted.

“We will continue to run the company, first and foremost,” Willner said. “And secondarily [will] consider strategic alternatives that may make some sense for our equity holders.”

With three decades in cable, Willner knows there are certain times – like now – that banks pull back from lending money for big acquisitions.

That gives him reason to believe Insight can sell out at a price Carlyle will accept a year or two or three from now.

More justification for a half-full view.

In the meantime, Willner last week was dealing a leadership card from a position of strength.

Insight wants people to know the subscriber gains and other positive results – including 14% revenue growth and 15% operating cash flow growth in the third quarter compared with the same period in 2006 – come from its “challenger” mentality and smart “blocking and tackling.”

Jain said with pride that top managers tells division chiefs to control the things that they can manage – such as new connections and disconnections, responsiveness to customer calls, recovering cash from non-paying customers – and not worry about operating cash flow, which is affected by corporate overhead decisions.

“We’re getting very close to the budget-less company,” Jain added. “In the districts, the amount of interaction and time they spend on the budget is next to nothing. Whereas it used to shut us down for three months.”

Keeping distractions to a minimum.

Willner – who also testified at a House subcommittee last week on behalf of his fellow small cable operators – said Carlyle also sees the glass as plenty full.

“They’re not anxious sellers,” he said.

With operating cash flow rising at a 16% clip year to date, Jain added, “it’s not exactly a ship that’s tanking.”

No, it’s not tanking. It’s getting smaller. But it’s growing, with a chance to keep growing.

 

 

DirecTV Turns Up Heat

If cable operators think they’ve struck out – or at least outmanaged – DirecTV by stalling its likely exclusive deal for Major League Baseball pay-per-view subscriptions, they should think again.

March, mad though it might be, is still spring training for the in-ownership-transition satellite-TV leader. The real season for DirecTV, and for EchoStar’s Dish Network, starts in the fall, when television purchases pick up and National Football League games resume.

And when summer turns to fall this year, DirecTV is promising to be ready to start throwing some curves.

At DirecTV’s dealer convention in Dallas last week, when Rod Stewart and Sheryl Crow weren’t singing, the emphasis was on innovation. DirecTV is taking swings at new services and ways to program entertainment, according to some folks in attendance.

In original programming, for example, DirecTV’s channel that mainly shows music programs, “The 101,” will take on different character in different dayparts (such as kids’ fare early in the morning, women’s shows later and then shows for older kids), according to Eric Shanks, the service’s executive vice president for entertainment, who spoke with news editor Mike Reynolds .

“We’re going to buck the trend [of targeting a particular niche] and program like a traditional broadcast-station model,” Shanks said, including primetime and late-night programming.

Last week, Channel 101 broadcast live from the burgeoning South by Southwest alternative-music and film festival in Austin, Texas. The channel previously plugged in original music-performance show CD USA and Project MyWorld, a reality show about some female travelers who met on MySpace.

Then there’s interactivity. After News Corp. bought control of DirecTV in 2003, cable companies expected the satellite service to significantly ramp up interactive features, and some of that has happened, especially in sports. They range from driver-specific channels in the NASCAR Hot Pass service, the Red Zone channel that shifts from game to game following big plays and multi-screen coverage of the tennis U.S. Open.

Even as News Corp. is selling control to Liberty Media, DirecTV is planning to add more interactivity, including a Red Zone-like feature to the MLB Extra Innings package called the Strike Zone that will highlight big moments from various games.

Also at the dealer conference, titled “Revolution,” DirecTV executives were touting the provider’s video-game tournament coverage and the “video-on-demand” service it said in January would roll out by the middle of the year.

One attendee said that service – which requires a customer to provide a high-speed-Internet connection plugged into a DirecTV digital-video-recorder set-top – will be better integrated into the interactive program guide than cable’s VOD offerings are currently presented. Stay, as they say, tuned.

DirecTV’s continuous pre-emptive attack on cable on high-definition heft – promising to offer 150 national HD channels after some satellites (and many HD networks) get launched this year – is also more likely to influence multichannel-video-buying decisions than whether or not DirecTV gets to pitch the public on an exclusive MLB Extra Innings package before Opening Day.

DirecTV scored a run last week when Disney said several of its programming outlets would launch HD extensions on the 16 million-subscriber satellite-TV provider next year. Part of the deal is DirecTV carriage of ESPN Deportes. DirecTV is willing to still add channels to get other programming it wants — the best example, of course, being the planned MLB channel, which no big distributor other than DirecTV has yet guaranteed widespread carriage. DirecTV did so to get the MLB Extra Innings out-of-market subscription service exclusively.

After pundits and politicians complained on behalf of Red Sox Nation members and other transplanted fans who can’t get DirecTV, the same offer was made available to cable and Dish Network. DirecTV probably will end up with the exclusive – cable representatives have indicated that they won’t or can’t match the terms, and EchoStar chairman Charlie Ergen said during a “Charlie Chat” with viewers last Monday that less than 1% of Dish customers typically bought the Extra Innings package.

The delay has blunted the package’s value as a customer-acquisition tool during baseball’s spring training, to be sure.

But this is still exhibition season. The real games begin in a few months. After the Boys of Summer are in full swing.

Some Product Placements -- Aren’t

If you’re emulating TV’s favorite OCD detective, Adrian Monk, don’t seek out his new favorite bottled water — it’s not on the market.

You probably wouldn’t be interested being like Monk unless you like Monk, the breakthrough basic-cable drama on USA. (Ignore the three Emmy Awards won by star Tony Shalhoub in the comedy category; it’s a drama. Is Columbo a comedy?)

And if you like Monk and Monk, there should be lots of red flags in the phrase “new favorite bottled water.”

For one thing, Monk doesn’t change his habits, tries to avoid trying new things and generally sticks to the program. A new bottled-water brand? Columbo will go Hugo Boss before that happens.

But that happened Friday night in the premiere episode of the new Monk season, in a scene with guest star Sarah Silverman playing demented fan Marcie Maven. A big deal is made of the fact that Monk’s new favorite water is Summit Creek, and that last year, it was Sierra Springs. Last year? Try several years, lady. And what’s Monk’s on-screen response to this exposition by Marcie Maven?

A shrug.

My response: a sellout.

Summit Creek water’s makers or bottlers or whatever they are must have bought that placement, the way Glad, Clorox, Buick and other advertisers have bought their way into Monk episodes and avoided DVR skippers, I surmised.

Unfortunately, I couldn’t find Summit Creek bottled water online. There’s a gift catalog outfit called Summit Creek, but it doesn’t seem to sell water. That’s weird — there was a close-up on the bottle and everything in the scene, which seemed to be all about Summit Creek water.

Also, no listing of such a product on the Monk section of product-placement tracking site SeenON!, either, amid the Monk tchotchkey mugs and anti-bacterial wipes.

A publicist for the show checked with NBC Universal’s ad-sales unit and was told that it wasn’t a placement. She said the phrase “scripted genius” was included in the response to her query. The writers made the name up, she said.

My new theory: The writers have to drop in fake product placements every once in a while to keep you guessing when the real ones come along.

What’s yours?

Jerry Levin’s New Life

New York magazine’s cover story this week is about Katie Couric’s tough time as CBS Evening News anchor, but an even better read is inside: a catch-up with former Time Warner CEO Jerry Levin and his wife, Laurie, at Moonview, their holistic healing center in Santa Monica.

It’s a thorough and balanced piece by Seth Stevenson about Levin’s evolution since getting forced out of Time Warner after the disastrous merger (that he championed) with America Online. And about how the AOL debacle and, more significantly, the 1997 murder of his son Jonathan, a 31-year-old school teacher in the Bronx, N.Y., have changed him.

Both events played a part in his meeting his second wife, a former CAA agent and film producer. She says Jonathan Levin “spoke” to her while she was meditating after she did a Google search on Levin; she’d been researching Levin after he agreed to meet with her for the first time.

There’s support here for Levin’s new outlook and venture – a $175,000 per year facility that uses techniques like neurofeedback “brain painting” and ceremonial drumming circles — from successor Dick Parsons and from Michael Eisner, the former Disney CEO. And some bitchy anonymous comments about Levin and how he dealt with people over his 30-year corporate career.

The sharpest swipes on the record are from Michael Fuchs, the former HBO chief whom Levin fired. “No one has ever left a company more disliked than he was,” says Fuchs.

Levin acknowledges flaws while speaking of them like they were in a past life, when his motivation was that he thought he knew better than anyone what was best for his company.

“I had the arrogance of power,” he says. “The ability to do things, to fly anywhere, and whether I was being written about positively or negatively, it didn’t matter because I was always written about. That suffuses into your identity.”

Now, he takes part in therapy sessions at Moonview that attempt to “break down male culture” and encourage patient listening and understanding. He’s found the “belief system” he says he lacked as a business leader:

“There was the ‘me’ that was doing that,” he says, speaking about his time as a suit-clad warrior, “and the ‘me’ that was observing what was going on. I’m kind of looking at myself participating in negotiations, board meetings, shareholder meetings, speeches—I would kind of wind myself up and go in and perform. I stopped paying attention to myself, let alone my family.”

Levin, 68, also discloses he has been diagnosed with Parkinson’s disease and says he has no regrets or any wish for a “do-over.”

It’s a long piece, with enough to let you judge for yourself whether Levin’s experience is relevant to your own life. I recommend it without regret.

On Palaces and Castles

There’s a way to enjoy the view from the 55th-floor at Comcast’s under-construction headquarters in downtown Philly without getting vertigo. Check it out here.

The blogger, freelance photographer Albert Yee, got a tour on Aug. 7 of Philadelphia’s newest and biggest skyscraper. The views from the windowless 55th floor are pretty spectacular. Having once joined in an interview with Comcast co-founder Ralph Roberts in his office and admiring the “Billy Penn” statue atop City Hall, I can attest that vista has nothing on what’s coming when the Comcast Center opens next spring. Or I can now that I’ve seen the Dragonballyee Web site.

According to a Wikipedia entry, Philadelphia City Hall is 548 feet tall including the William Penn statue. The Comcast Center will be 975 feet tall when completed at its location at 1701 John F. Kennedy Boulevard.

Vendors, prepare to be even more intimidated when you come calling on the country’s biggest cable operator.

One feature might look familiar to folks who’ve visited Comcast’s current executive offices on the upper floors of 1500 Market St. The photos of the “grand stairway” that leads into the building reminds me of the reception area at Comcast’s current HQ that links the 34th and 35th floors. A carryover motif? Probably not but we’re checking into it with Comcast.

So much for corporate palaces. Now for castles. For that I turn to an interview in Barron’s magazine that landed in a Google News compilation of stories on Cablevision Systems.

In it, Gifford Combs, managing director and portfolio manager of Dalton Investments (of Los Angeles), draws a distinction between what John Malone is up to these days and what Charles and James Dolan are doing. In his words, “two companies in the same industry, where one company is behaving properly and one company is behaving improperly.”

Malone’s Liberty Global, Combs says, is doing right by shareholders by following traditional Malone approaches: minimizing taxes, creating tracking stocks for different business lines and buying back stock as cash flow increases.

Combs adds: “Now contrast Liberty Global with another cable TV company, Cablevision, where the modus operandi of the Dolan family seems to be: how to steal the company at as low a price as possible by maximizing our position and using the asymmetries of information flow available to us versus the public.”

Instead of taking the company private at as low a price as possible, Combs says, the Dolans should put money back into the business, add debt where appropriate, buy back stock when possible and sell some assets over time. In five years, he says, Cablevision’s stock price could be 6 to 7 times what it is today, or $250-$300 a share.

Combs puts Malone in the category of a “benevolent ruler” dwelling in a shining castle on the hill. And he hopes the Dolans will “see the way of truth and righteousness” and be more like Malone.

On the other hand, Chuck Dolan got a big shout-out in USA Today from his old cable buddy John Rigas.

In an interview with USAT’s Leslie Cauley before heading off to the federal pokey, Rigas points out not many of his cable chieftain pals have made the trek to remote Coudersport, Pa., to visit him while he was out on appeal. A notable exception was Dolan pere. "I thought that was really nice," Rigas says.

Benevolent, one might even say.

 

 

 

Some Media Events Are Best Lived Live

Last week in this space, Tom Steinert-Threlkeld laid out the case for the supremacy of the high-definition home theater. (“It’s Clear: HD Home Theater Will Rule.”) I agree most Hollywood movies are better seen on TV than on the big screen, where their flaws are overly exposed, and also agree the home experience is much more convenient and efficient than traveling to a mall-plex or local popcorn-and-Twizzlers emporium where you can’t switch channels or pop in a new DVD whenever you feel like it.

But I recently was swept up in a mass-media happening that lured me out of my comfy TV room and drew me uptown to an actual live performance, in the highest definition. It made me rethink the formula a little, especially as it was all in the pursuit of … Culture. Not commerce. Other than a $25 concert ticket.

It all started on May 18, when the Columbia University radio station, WKCR-FM, began a marathon broadcast of the music of Sam Rivers, a jazz musician, composer and bandleader. I didn’t know Rivers’s music at all, but kept listening after I heard the plan was to play his entire discography.

The man is 83 years old. He played in Dizzy Gillespie’s orchestra. He’s made a lot of records over 60 plus years.

The festival – basically Rivers’s free-form jazz, along with occasional DJ commentary and a few interviews – ran a full week. A hundred seventy seven hours. Through trios, large ensembles and multiple instruments (saxophones, piano, flute, etc.) it went on and on. You could dip into and out of it from anywhere in the world, via broadband and Wkcr.org.

When cable networks program marathons, it’s often to get higher ratings over the weekend (think Monk on USA) or to fan the excitement over, say, a new season of Project Runway on Bravo. Radio stations will program hours that way to honor a musician’s birthday or his or her passing.

What was “Sam Rivers Radio” building toward?

A modest jazz concert.

On Friday, May 25, after Rivers did an on-air interview on WKCR with HOST NAME, Rivers performed. He played multiple instruments (see above) with former bandmates Dave Holland on bass and Barry Altschul on drums. The concert was held at Miller Theater on Columbia’s New York City campus, a 700-seat venue.

Given the weeklong radio promotion, and given that Rivers hadn’t worked with those well-known sidemen for years, and that Rivers himself lives in Florida, you’d think the performance would sell out.

But no, WKCR said some tickets would be for sale at the door, so uptown I went. There was a long line on the sidewalk, but there were tickets. So in I went and listened from the balcony. “It’s the most inspiring experience, that’s all I can say,” the slight, soft-spoken Rivers said on stage before beginning a performance Variety reviewer David Sprague called “a portrait of an artist whose restless streak still leads him to surprising vistas.”

If this were a more commercial enterprise, say a cable network, how might it have been handled differently?

The concert could have been endlessly plugged during the radio festival, instead of the low-key commentary handled by the station’s disk jockeys.

The concert could (and probably should) have been streamed live over the Internet, barring rights issues.

The concert could have been heavily sponsored, commercialized, filmed, merchandised.

Instead, it was recorded but not broadcast or streamed, though it’s likely to be heard on WCKR at some point. That has been the case with all of Rivers’s music, according to Phil Schaap, who hosts a morning jazz show on the station and who heard the same San Rivers trio perform in the 1970s.

The station has been doing such marathons – some much longer, involving much better known musicians – since 1970, Schaap said. Partly as listener training: “One [reason] is a realization from our educational bent that repeated listening from a closed time frame is useful for expanding enthusiasm and listening skill.” Also, the marathons can actually encourage record companies to keep (or resume) printing older recordings. That happened after a Charlie Parker marathon in 1993, he said. The station’s goals are not commercial, “but we have commercial value.”

The concert, reuniting musicians who hadn’t played together in 20 years, required the station to raise funds up front. Did it make money, assuming the concert was (as it appeared) almost a sellout? Schaap said he wasn’t sure but “it did better than we expected,” Schaap said.

It also got people out of their living rooms on a Friday night to see what was probably a once-in-a-lifetime performance of improvisational jazz. And that can’t be bad. Maybe next time the local cable operator will want to pitch in, as well.

Digeo Will Need Moxi at Retail

When the Moxi Media Center guide would get shown during panel sessions at cable shows a few years ago, it really stood out for me.

The graphical way Moxi Menu toggled among scheduled shows and recorded content, what’s on-demand and what’s in high-definition, was a sharp contrast to the TV Guide-style grid-based guides cable viewers use to sift through the multi-hundred channel universe.

Forward-thinking Moxi came out at the January 2002 Consumer Electronics Show, promising to link disparate digital devices – from TV to music jukebox to Web surfer – and bearing cash from (then) AOL Time Warner, Cisco and Paul Allen’s Vulcan Ventures, and others.

Since then — fully under Vulcan’s wing as Digeo – it’s won a pair of technical Emmys, including one for the snazzy guide, and is currently hoping for a third.

Cable distribution has been slow, though, as is true for many set-top hawkers not named Motorola Broadband or Scientific Atlanta. Moxi now claims about 400,000 cable customers, with the biggest affiliates Vulcan-backed Charter and former Adelphia systems in Southern California (now Time Warner Cable’s) and Colorado Springs (Comcast’s).

The Adelphia changeover could be great, distribution-wise, as Digeo raises its presence with the top two cablers, with 37 million customers.

Or not.

As Forrester Research senior analyst Josh Bernoff pointed out, Comcast and Time Warner have invested heavily in developing their own advanced user interfaces.

Comcast's GuideWorks-made iguide, based on technology acquired from Gemstar-TV Guide, is in the MSO’s Motorola boxes. Time Warner is coming out with a new guide that traces development back to Mystro, the onetime networked-DVR experiment.

That combination of development tracks “is not necessarily compatible with some other box that has a different guide interface in it," Bernoff said.

Digeo CEO Mike Fidler says the company has an ace in the hole: customer satisfaction among ex-Adelphia customers who have Moxi boxes is very high. Also, the Colorado Springs system is the first cable operation to market a digital-video-recording system that works in multiple rooms.

"We think we offer a superior customer experience,” he says. “I can tell you that the customers believe that they get a superior experience."

Comcast and Time Warner will make their own choices going forward, Fidler concedes, and Moxi keeps talking to them. "As we've heard it they’re continuing to support us, still deploying us, and at this point have no intention to change."

Time Warner Cable and Comcast corporate communications officials say their companies continue to support and deploy Moxi boxes in Southern California and Colorado Springs.

There have been indications, though, such support might not last long.
 
One cable analyst, who asked not to be identified, said a Time Warner official reported Digeo boxes wouldn't be deployed on an ongoing basis. That came after a cable customer in the Carlsbad, Calif., area told Multichannel News that Time Warner customer-service representatives twice told him in recent weeks that Moxi boxes were going to be replaced by Motorola Broadband DVRs in the next couple of months. The reason: to avoid having incompatible guides deployed in the market, the customer said.

Under former Sony executive Fidler as CEO, Digeo is going to try to break beyond multichannel video distributors and appeal directly to consumers.

Fidler said he and COO Greg Gudorf, another former Sony executive (both joined the company in 2005), do intend to move into retail and will likely have more to say on the subject at January's CES in Las Vegas.

Cable remains "a very important part of our business," Fidler said. But Moxi needs to target consumers directly, give them a shot at the Moxi experience. "It's very difficult to do being in an enclosed operator environment."

Moxi faces some tough competition at retail, too, Bernoff pointed out. TiVo has been making noise about broadband integration and will be touting its Series 3 HD DVRs at CES. Apple Computer, of course, will draw attention by saying more about Steve Jobs’s interactive TV play, too.

"CES for me is going to be that product,” Bernoff said of new television interfaces that include Web content and high definition. “It's all over the place."

In cable, the best guide doesn’t always win. So here’s hoping if Digeo goes over the top and customers like the experience, they’ll have an opportunity to buy it.

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