Leslie Ellis's blog

My Favorite Tech of 2012

Two of my favorite new technologies were actually new in 2012; one was new to me.

Fav No. 1: Voice mail that comes over as a transcripted email. I like it because it saves at least four steps common to retrieving messages. Plus, the transcriptions are so bad, they’re great! In fact, they’re downright hilarious.

The steps saved: Instead of having to unlock your phone (step 1), dial into voice mail (2), enter a password (3) and listen through who knows how many other messages (4-plus), you get an email transcription.

Eyes to the Skies: New Satellite Tech

When the pile of techie trade magazines from adjacent industries starts to tip over, it’s time to plow through them — like the stack of issues of Via Satellite, a monthly tech staple for the space-minded.

What Engineers Want From Marketers

If you’re a marketer, you already know what drives you nuts about engineers — and vice versa.

Usually, it festers around who calls the shots on new product development.

Marketers, and especially those with packaged goods experience, want earlier involvement.

Engineers usually hear this lament many months (or years) after they begin writing densely technical, often inscrutable requirements. They want informed direction, sooner.

What's Next in Wi-Fi?

Sometimes it’s worth it to stay until the bitter end. In this case, for a “What is Wi-Fi?” workshop, which ended at 5:30 on a Friday afternoon in a week that contained two back-to-back conventions — first the CTAM Summit, then the SCTE Cable-Tec Expo.

All Eyes on You, Massillon Cable!

ORLANDO -- Finally! Someone is going to see what it takes to widen cable’s upstream path.
At last week’s SCTE Cable-Tec Expo here, attendees burrowed into an opening session featuring engineers from mid-sized operators. Massillon Cable general manager and technical operations manager Kelly Rehm made this understated but momentous declaration: “One of the projects we’re working on next year is to go to 85 Megahertz, to improve the return path.”
In the hall, an audible murmur: “Did he say what I think he said?”

Preview: CTAM Summit, SCTE Cable-Tec Expo

For someone passionate about making technology approachable to nontechnical people, this week is a grand slam of cable conventions: the CTAM Summit and the SCTE Cable-Tec Expo. Marketers and engineers, all in one place! Nirvana!

And hello again, Orlando, Fla. This location means one thing right off the bat: Brush up on your Full Service Network history (see Craig Leddy’s take), because you’ll likely hear more than a few anecdotes about it.

The Next Big Thing In Video Compression

It happens about every decade, and the third one is almost upon us: A new standard for video compression, bound to make video shipping better.

It’s called “HEVC,” for “High Efficiency Video Coding.” You’ll see it demo into the industrial mainstream at the 2013 Consumer Electronics Show in January, and into your handhelds and TVs a year hence from that.

When Does the 6-MHz Channel Disappear?

When Does the 6-MHz Channel Disappear?
 
Here’s something happening in the tech background that rattles the origins of television: The undoing of the 6-Megahertz channel spacing, common to broadcast and cable television since the 1940s.
What’s going on? Progress, in the form of advanced modulation and distribution techniques (here’s that migration to IP again) seeking to wring every literal bit of capacity on communications networks.

What Is Title 6 Video?

Maybe this is happening to you, too. A conversation begins. It’s about over-the-top video, or usage-based broadband, or any of the tangents that go with the new world of video on TVs and screens not necessarily connected to a set-top box.

Then you hear it: “Title 6 video.” Here’s an example, from several batches of notes. “Look. To be a multichannel- video provider (MVPD), you have to comply with the Title 6 rules.” Here’s another: “Anyone with a video server at the edge of the network wants to think they’re an MVPD. But they’re not Title 6.”

And because “Title 6″ is a term that’s been around so long (nigh on 30 years), the natural reaction is to nod solemnly: Ah yes. Title 6.

Which raises the question: What is Title 6 video?

Short version: It’s an outgrowth of the Communications Act, and is the chapter that includes the Cable Act, etched in 1984. Title 1 is general info; Title 2 regulates common carriers; Title 3 applies to broadcasters; and so on up to Title 6, cable.

It mandates all the things one needs to do, in order to be a multichannel video provider. Or, in regulatory lingo, an MVPD.

Here’s a sampling of what’s in the Title 6 rules: Franchising. Closed captioning. Must-carry. Ownership. Emergency alerts. Blackouts. PEG (public, education and government) channels. Program access. Navigation devices.

There’s more, but it turns out that Title 6 is more dated than practical these days, given the volume and pace of technological change over the last 28 years. Why? Those rules were made at a time when signal paths were in silos, and few of them. Phone service came from the phone company over twisted pair. Cable TV came from cable operators over their plant.

These days, everything’s an app, with plenty of pathways into the home.

Should any guy with a video server at the edge of the network be considered an MVPD, without complying with Title 6 commitments? The knee-jerk answer is no. But maybe a better question is this: Rather than try to shoehorn old rules into a new scene, why not ask what’s to be expected from video providers?

There are those who would say that the over-the-top video community views such regulations as a tool kit, from which to help themselves to the assets of others. Take the good or doable parts - think program access and compulsory copyright. Leave the rest, like retransmission consent and the complexity of the Title 6 obligations.

That’s a very short look at a very complicated cog in the tech regulatory machinery. More to come.



Stumped by gibberish? Visit Leslie Ellis at translation-please.com or multichannel.com/blog.

A Year Over The Top

This week marks one year of sampling a large variety of over-the-top video hardware and software in a makeshift office lab. Why? To understand the reasons people cut the cable cord, or hang out on the “connected” side of today’s Internet-connected TVs. It seems like a good time to share some findings.

1. What I use the most of the over-the-top services: Amazon Prime. Why? Amazon was first to offer Downton Abbey season two, which I could watch on a Vizio screen at home while “getting steps” on the treadmill. (I am OCD about 10,000 steps per day, thanks to the Fitbit, to which I am wonderfully addicted.)

After that, and still on Amazon Prime: Tanked. Tanked is a family viewing activity, marathon-style - but, alas, the main TV in the house isn’t Internet-connected. So I brought home a Sony streamer, which was dissed at the lab for its clunky on-screen remote (it’s as clunky on the Sony PS3). But, it has Amazon Prime. The Tanked binging continued in the living room.

2. Observation: Be careful what you wish for, in terms of user experience. OTT apps like Netflix and Amazon, as well as cable-video apps like Comcast’s Xfinity TV, can use or not use various native features within each streaming device. This means the same app can behave differently from one screen to the next. (Maybe we’ll all just get used to this?)

When marathon-viewing Nurse Jackie on the Vizio screen, for instance, the Amazon app keeps track of episodes I’ve seen with a simple check mark. No such feature on the Sony streamer upstairs. Same app, same show, but you need to remember which episode you watched last.

The flip side of that, which comes with DLNA, is that any software-based video app can leverage native device features that are cool or handy.

Example: At the Cable Show in June, on a back wall of the CableNET area, Cox Communications showed how its Trio guide had taken advantage of a native feature inside a Sony connected TV, such that in-show navigation happens on a scroll bar, frame by frame. It looked great.

3. What I use the most at work: Comcast’s AnyPlay, fed by Motorola’s Televation box. Live, streaming cable TV on the iPad. Love it. Make it do trick-play, I’d love it even more.

That’s a short walk through a year’s worth of OTT-ing in the lab. Next time: What all that streaming did to the broadband meter; the puzzle of getting a signal to everything; and the multiplier on remote-control clutter.

Stumped by gibberish? Visit Leslie Ellis at translation-please.com or multichannel.com/blog.

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