Mary McNamara's blog

The Jon Stewart/Fox News Throwdown, Week 2

As y’all have probably heard,  Comedy Central’s Jon Stewart and Fox News have been facing off ever since Stewart’s appearance on Chris Wallace’s Fox News Sunday on June 19.

Both sides seem to be having a great deal of fun taunting each other from across the cable television playground, and they’re drawing a crowd.

The blog/twittersphere is all a chatter, naturally.   It’s pure entertainment, kinda like WWF wrestling - not taking it seriously, but having a lot of fun watching nevertheless.

Stewart also mocked conservative presidential candidate Herman Cain, who then complained in an interview with Fox News’ Juan Williams that Stewart doesn’t like him because he’s a “black conservative.”

Stewart took the throwdown to a new, ROTFL level last night.  “CC rolls deep, yo!…your cup is about to runneth over…!” Stewart faux-ranted.   And then he aired a series of clips, his best-of pokes at public figures of all stripes, from Mayor Michael Bloomberg to Senator Chuck Shumer to George W. Bush.

The Daily Show - Oh, for Fox Sake - Stewart Eviscerates Stewart

Get More: Daily Show Full Episodes,Political Humor & Satire Blog,The Daily Show on Facebook

Here’s another laugh-out-loud clip from last night’s show:  in the wake of the Blagojevich verdict,  “Senior Legal Analyst” John Oliver explains Illinois politics.

The Daily Show - Con Hair - Gateway Political Drug

Get More: Daily Show Full Episodes,Political Humor & Satire Blog,The Daily Show on Facebook

HBOs Citizen U.S.A.: Seeing America Through Fresh Eyes

Citizen U.S.A.:  A Fifty State Road Trip,  Alexandra Pelosi’s latest documentary set to air on HBO on July 4, premiered last night before a standing-room only crowd at San Francisco’s Palace of The Legion of Honor.  An impressive bevy of relatives and friends were in the audience to show their support, including her mom (Nancy), father (Paul), her sisters, brother (Paul Jr.), and filmmaker Philip Kaufman.

Pelosi gathered footage for Citizen U.S.A. by attending naturalization ceremonies across all 50 states.  In the process, she uncovered what it means to be uniquely American through the fresh eyes of our newest citizens.  With tongue-in-cheek good humor and an appreciation of our Blue State/Red State diversity, the film is heartwarming, infectious, inspiring.  (Most, if not all, ceremonies feature entertainment – from children’s choirs to Native American dancers to country guitarists.)

Had HBO distributed little American flags, I’m sure last night’s audience would have waved them around enthusiastically.

Each year almost one million people from 150 countries choose to become citizens.  Those sampled by Pelosi marvel at the open culture many natural-born Americans take for granted - the simple act of walking down the street and holding hands without fear, access to clean water from a tap, or the chance to be a valued member of society in spite of a disability.  One recurring theme: the thrill of work, the lack of barriers relative to other countries.  Many newly sworn-in citizens seemed to shake their heads in wonder over the opportunity to make something of oneself through hard work and initiative.  It may sound very Horatio Alger, but it’s not a myth - these people are living the dream.

Last night’s event kicked off with the “Star Spangled Banner,” beautifully rendered by a young woman from St. Ignatius High School.  After some brief remarks by Alexandra - who said the documentary was inspired by her husband Michiel Vos’ path to citizenship - the film began.  (Vos is also credited as a producer.)

When it was over, there was hardly a dry eye in the house, but not because the film is maudlin.  Not at all.  If anything, the documentary is understated.  Alexandra Pelosi stays out of the way of her subjects, and lets them speak for themselves without judgment or embellishment.  And even though she’s behind the camera (literally filming), in what little we hear of her, she’s disarming with a lightening quick sense of humor.

The run time of the documentary is only fifty-two minutes.   A great deal of material probably ended up on the cutting room floor.  However, kudos to Michael Levine and Andy Morreale for their masterful editing work.  Fortunately, there’s more content in the lovely coffee table book (available at Amazon) that accompanies the film.

Citizen U.S.A. airs Monday, July 4 at 9p ET/PT.

Click here for a photo of Alexandra, chatting with a filmgoer after the screening.

Rescue Me, The Final Season: Gripping, Funny, Heartbreaking

The final season of FX’s Rescue Me - the tragicomedy about the dysfunctional guys who man NYFD 62 Truck (Engine 99), and their families, children and assorted girlfriends - launches July 13, at 10p.

My husband calls Rescue Me the “Mt. Olympus of dysfunction.”

The last season is eight hours of engaging television viewing – funny, heartbreaking, and completely satisfying.  And, while Denis Leary is the undisputed star of the series, he leaves plenty of room for the quirky ensemble of painfully real characters that populate the show.

The final season is really nine episodes.  But I say eight because the premiere episode is a slog.  It’s slow, and tedious, and repetitive, and you will have your head in hands thinking: “Oh, no! We’ve seen this all before and it’s totally circular.”  Tommy Gavin (Denis Leary) still feels guilty and responsible for every bad thing.  Tommy and his wife Janet rehash the same issues (he can’t overcome his 9/11 survivor guilt).  Their daughter has another predictable relapse, and set-ups are implausible - recovering alcoholics own a bar and hold recovery meetings there after hours, for instance.

In the provided press materials, co-creator/producer/writer Denis Leary defends the repetition: “Tommy, of course, has been back and forth with the alcohol because that’s what real life is like for these firefighters.  To my mind it’s way more interesting to see the reality-based struggle they wage with the bottle, and in real life I’ve never witnessed these guys quitting drinking and staying with it.”

As much as the first episode is a tedious slog, it also recharges the battery of the characters and themes. By the second episode – holy mother - the show roars back and episode two, by contrast, is drop dead funny and irreverent, and touching.

The overweight food addict, Kenny “Lou” Shea (John Scurti), can’t pass his annual physical, and antics follow.  On an errand for his daughters and pregnant wife, Tommy awkwardly and comically ends up at the feminine products aisle of the local drugstore and runs into an ex of sorts, Kelly (Maura Tierney), scarfed, clearly in treatment for cancer.  (This plot point was openly discussed by the producers recently.)  Kelly and Tommy have coffee afterwards, a moment that’s both unsentimental and poignant.

Without a fire to fight in weeks, tedium sets in at the firehouse, leading to a priceless sequence set to Frank Sinatra’s “I’ve Got The World On A String.”

Episode Two nevertheless establishes a thread that will run through a number of episodes: sensitivity training.  The women in Tommy’s life are starting to emasculate him.  Since he’s a callous jerk with few redeeming qualities most of the time, there’s a certain pleasure in watching him get his comeuppance.

Classic schadenfreude.  How fun is that!?

The conversation with Kelly sets thematic wheels in motion: legacy.  Tommy begins to consider what his legacy might be when he passes.

Later on, the same theme is revisited and deepened.  After a lunch with Deputy Chief Feinberg (Jerry Adler) following a viewing of the World Trade Center ruins, the perennially padlocked Tommy  starts to open up.  (In classic Rescue Me style, the lunch scene is understated and moving, and showcases Adler’s acting strengths.) Tommy entrusts Lou, his best friend and fellow firefighter, to carry out his wishes should he ever be killed in the line of duty.

The firehouse brotherhood banter is fabulous, as usual - ragingly funny and shamelessly politically incorrect. You can’t not love this group of courageous crazies who show their love by squabbling and lobbing insults mercilessly.  Notably this season, Sean Garrity (Steven Pasquale) finds true love but, inevitably, there’s a catch - something that’s laugh-out-loud funny with an equally wacky solution to the problem.  And bi-sexual, but mostly gay, Mike Siletti (Michael Lombardi) discovers he has a knack for wedding planning.

But in terms of individual performances, it’s really the women who deliver.

The show-stealing, tour de force performance belongs to Callie Thorne who plays Sheila Keefe, the widow of Tommy’s firefighter cousin who died on 9/11.  At one point, an ambitious reporter swoops in to the firehouse to tape an exploitative, schmaltzy documentary about the heroic, deceased firefighters of 9/11.  What viewers will see is a retrospective, a glimpse of the person Sheila was before the devastating events of 9/11 killed her husband.  And when said ambitious reporter decides to advance her career by smearing the Gavins and the firefighters of 62 Truck, it’s a brazen Sheila who serves up the delicious revenge to the reporter.  And it’s Sheila who gets rollicking drunk at a wedding and misbehaves.

The other compelling and nuanced performance comes from the gutsy Maura Tierney as the fierce, sweet, tough Kelly McPhee.  Tierney herself had completed chemotherapy for breast cancer a scant six weeks before filming and she was bald from the treatment.  Per the press materials, when her agent called to let writer/executive producer Peter Tolan know he could rescind the contract for obvious reasons,  Tolan, according to Tierney, “came back and said, ‘no, we really want to incorporate what’s going on with you into your character.’”

I’m sure everyone assumes the last season will feature at some point a fire battle, so it’s no surprise that it does.  The battle is epic, full of pyrotechnics and long shots of the five-alarm response.  It’s gripping, and I had to call my husband into the room to hold my hand during the scene.

In other news, surprisingly, Tolan disclosed in a New York Daily News interview that a major character will be killed off.

Series finales tend to be traumatizing and and character death can often be gratuitous, so I watched with some trepidation.

Tolan had this to say in the NY Daily News (see above link): “I’m going to go out on a limb and say it’s a very successful series finale….You’re saying thanks for coming along for the ride. Every now and again, a show says ‘f— you’ to the viewers in the last episode. Not us.”

I can’t tell you (because of spoilers) how true Tolan’s words are.  The Rescue Me writers delivered.  The series finale, and the entire season (for the most part) is perfect – gripping, tragic, funny, uplifting, beautiful.

HBO’s Entourage, The Final Season. Sniff!

The plight of guest star Andrew Dice Clay (playing himself) sums up the eighth and final season of HBO’s Entourage (at least through episode three of eight total) – from filling Madison Square Garden to “doing standup in a f*cking bowling alley.”

The climb back up from rock bottom just keeps getting harder.  It’s the season of Sisyphus.

Vince is fresh out of rehab and struggling to re-establish his career by writing a screenplay -  a made-for-Lifetime type of television movie about a Labrador retriever rescuing miners in Romania.  It’s a punishing descent for someone who once worked with James Cameron on Aquaman only a few years before.  Drama partners with Andrew Dice Clay in Johnny’s Bananas, a new animated series.  All’s well until Clay starts lobbying for Simpsons-like pay raises.  Turtle’s tequila business and love life are also on shaky ground.

Ari, distracted by the separation from his wife of twenty years (Mrs. Ari), isn’t tending to agency business.  He’s too busy vengefully meddling in the lives of perceived rivals for his wife’s affections.  After a disagreement over a pre-nup, Eric’s relationship with Sloan has fallen apart just a few weeks shy of their wedding and she wants his stuff out of the apartment stat!

Sons of Anarchy’s Kim Coates returns as Carl Ertz!  I adored Coates as the slick Ertz in earlier seasons.  He gives a gem of a performance.

This is the season of has-beens and downward spirals.  The posse spends a lot of time giving each other pep talks and the crazy fun of Entourage – when it is fun -  feels a little hollow now.  The glitter and glamour are wearing thin.  Vince, ever the sweet optimist, is still the core, the sun around which everyone revolves.  He’s the caretaker, the co-dependent, with disastrous, even shocking consequences at the end of the third episode.

And I mean – seriously shocking.  So much so, I felt like calling HBO and begging for more episodes.

The lights are going dark on Entourage and the writers’ effort to introduce moral clarity doesn’t really ring true.  It’s just…a tad morose.

Still, my affection for the show runs deep.  At one time Entourage was appointment viewing for our entire family.  We loved it and we still want to see the characters through to the end.

Entourage at its best explored the wild side of the entertainment biz:  womanizing, jet-setting to Cannes, pot smoking (etc. etc.) and joyous, spontaneous tripping up Highway 101 to Auberge Du Soleil – a Rat Pack, only with cell phones. The show reached its zenith when Vince starred in the Pablo Escobar biopic, Medellin, a film within a film.  (Here’s the “official” website.)

Now it’s the eighth and final season.  Sniff!  It’s the nature of halcyon days to be fleeting, I suppose.  Vince’s house burns down after Turtle throws a joint out the window and sets the place afire.   (The ever-cheerful Vince takes it all in stride.)   Foreshadowing like that usually means big changes are ahead.  (At the conclusion of season three Weeds, the neighborhood went up in smoke, expelling the characters from the hypnotic, comfortable suburb of Agrestic.)

Oh, and did I mention that shocker at the end of the third episode?  Yeah.  It’s starting to get very, very interesting.

The eighth season of Entourage launches Sunday, July 24 at 10:30p on HBO.

A Few Impressive Weather Channel Stats

At Television Critics Association press tour in Beverly Hills on Wednesday, Bob Walker - Weather Channel’s EVP and General Manager of Networks and Content - laid out some impressive stats.

Walker:  “At a time when digital is growing dramatically for everybody in the news and information space - and we are…probably the leader in that space - we’re adding a 100,000 people a day that are downloading The Weather Channel app on a mobile device.”

Later Jim Cantore, Weather Channel meteorologist, said 40 million people have downloaded the app to date.  Walker added that their research shows that “90% of the U.S. population checks the weather every day, and how they choose to get that information is what we really focus our entire business on.  We view ourselves as a weather content company that is across any platform the consumer chooses.”

So far, 2011 has been a big severe weather year.  During the Groundhog Day storm, according to Walker, “a third of the U.S. …was engulfed in the one of the most severe winter storm coverages of all time.”  Tornado season was extraordinary, clocking five EF-5 tornadoes.  (Normally, one EF-5 occurs every two years.)

46 million people tuned into the Weather Channel during the time around the Groundhog Day storm - on January 31 and February 1.  And Walker stated that during the same two days Weather Channel “did a half a billion page views on digital and mobile devices….and we had nearly 50 million people watch us the week of the Joplin tragedy.  In May it was the best performance for The Weather Channel network in five years.”

As 2011 moves into the autumn hurricane season, Weather Channel is planning for more severe weather.  Per Walker: “NOAA says they expect between 12 and 18 storms.  Our own WSI says 15.  They expect eight of those to be hurricanes.  They expect half of those to be major hurricanes…it’s almost unconscionable to imagine that we won’t have a landfall event this year.”

Could It Be? A Real Housewives of San Francisco?

 Who could possibly be casting for a San Francisco housewives reality pilot?

Bravo?  Logo?

Back in October 2009,  a rumor made the blog rounds that Bravo was casting for a Real Housewives of San Francisco.

First, a tip o’ the hat to SFist for catching the Craigslist casting call posted this morning :

ARE YOU A SAN FRANCISCO HOUSEWIFE????

Casting 6 Housewives for this project (LOOKING FOR INTERNATIONAL CAST) ages; 25-55

These women should live affluent lifestyles in the San Francisco Bay Area and be comfortable with cameras following their day-to-day activities.

Put your best stiletto forward and show us how amazing your life is with an uninhibited unscripted video….

“Filming for the pilot tentatively begins April 5, 2011,” states the Craigslist post.

According to SFist, sources close to the production say they’re “also looking for a gay househusband/wife as well.”

NextG's In Hot Water Again, Now San Francisco Is Upset

NextG, the company that installs Distributed Antenna Systems (or DAS) for big telecos, is in hot water again.  This time there’s a backlash in the Richmond District of San Francisco, according to RichmondSF - a reputable neighborhood blog.

The residents of 27th Avenue are upset about boxes they say are ugly and noisy and installed without notification, sometimes in the dead of night.  They’ve appealed to the San Francisco Planning Commission and have even stopped NextG from completing their installations.

The residents want the permits revoked and the boxes removed.  The appeal will be heard on March 16.

If news reports are any indication, NextG has a reputation that precedes them.  The City of Hampstead, NY, lost their case against NextG.  After a year-long negotiation with the Massapequa, Long Island, village board NextG finally agreed to install a smaller, slimmed down version of the wireless antenna.

Their behavior infuriated Santa Barbara residents, leading one Santa Barbara supervisor to blast the process as

Homeowners also told RichmondSF that installation sometimes took place in the dead of night.  RichmondSF also took a look at the installation quality and said ”

“The lack of public notice and lack of community input into the process is outrageous,” Mar said. “We need stronger protections, not only [to] raise issue of safety, but also aesthetics and whether these boxes on utility poles are necessary and desirable

“Since 2008, the city of San Francisco has approved 342 wireless permits (interactive map), many of them by one DPW employee…” states RichmondSF.  “In 2010 he alone approved 152 permits. Since September 2010, 28 have been approved just for locations in the Richmond District.”

Such ????? begs the questions about friends in high places at San Francisco DPW and also brings up questions about an ethics hearing.

The boxes and noisy and ugly

Since the equipment was so large, it required two poles to house it. So another permit was approved for a location across the street at 161 27th Avenue; that homeowner was also not notified. “There was no outreach,” Cooper said.

The City of San Francisco, and one DPW employee in particular, has issued hundreds of permits - with no notification to homeowners.  In some cases, it appears that

The NextG wireless antennas are being installed all over the city. .

Facebook Disables William Shatner's Account

Someone at Facebook has decided that the venerable William Shatner is an imposter, according to @williamshatner on Twitter.

Shatner tweeted the following just a few minutes ago:

“Facebook disabled my account this weekend as an imposter acct. Now they want me to prove that it’s me. Don’t they know who I am? MBB.”

(MBB stands for “My best, Bill” - which is how Shatner signs off on his tweets.)

Shatner’s Twitter account is “verified. “  A verified account, according to Twitter, establishes “the authenticity of well known accounts so users can trust that a legitimate source is authoring their Tweets.”

UPDATE:  News of Facebook’s flub dashed across Twitter at the usual light speed.  An hour later, Shatner tweeted that his Facebook account had been restored.

Japan's NHK vs. CNN: Oceans Apart

While watching coverage of the earthquake in Japan, quickly followed by allied action in Libya, I was struck by the stylistic differences between U.S. cable nets and NHK, Japan’s influential news network.  (A live stream of NHK with English translation is available here.)

Compared to U.S. cable net frothing at the mouth, keeping their audiences in a permanent state of excitation, NHK coverage was cool, impassive.  At the time I attributed this to the translation which almost always strips out the emotion.

Apparently not.  Here’s a  fascinating story in the Washington Post, “In Japan, disaster coverage is measured, not breathless” - a lens into NHK’s  coverage of the earthquake and their extraordinary preparation for the worst case scenario event.

Just a few excerpts: “For the past two weeks, NHK, Japan’s public broadcaster, has covered a triple disaster, appraising the damage with the help of 14 helicopters, 67 broadcasting vans and virtually no adjectives.  Its anchors do not use certain words that might make a catastrophe feel like a catastrophe. ‘Massive’ is prohibited.  Same with ’severe.’….NHK has no star personalities, and in fact, it doesn’t want them….”  (The article also covers NHK’s extraordinary preparation for worst case scenario coverage - a highly recommended read.)

Compare this to CNN’s Anderson Cooper and Sanjay Gupta, who spent much of their time in Japan standing around helplessly on a street or rooftop in Tokyo, talking to the CNN anchors in Atlanta.

Curiously, I wrote most of the following about CNN hyperbole surrounding the missile strike at the Gaddafi compound about a week ago, just prior to the Fox News/CNN kerfuffle over the Fox News human shield story.

It’s true that NHK’s coverage seems timid and the press is often too cozy with those they cover.  (For another perspective, here’s another must read - the NYT’s

By the same token, some of CNN’s recent coverage has been so over-the-top, so exaggerated, that it was difficult to take them seriously at times.

Curiously, I wrote most of this blog post on March 21: the Monday after watching a weekend of cable news coverage.  It was the weekend after cruise missile fell in the vicinity of the Gaddafi compound, but before the ensuing kerfuffle over the Fox News human shield story which then triggered a spat between CNN’s Nic Robertson and Fox News’ Steve Harrigan.  (Hopefully, they’ve hugged it out over breakfast by now.)

I was watching cable news extensively over the weekend, and live tweeting a lot of it.   I was switching back and forth among tv channels and also watching live streams of BBC World and Al Jazeera English on my laptop.

CNN (and I’m not talking about Robertson, but how the events were characterized from the anchor desk) was orgasmic over the action in Libya.

It started with the anti-aircraft fire in Tripoli on Saturday, which consisted of some rat-a-tat sounds and camera shots of a pitch dark sky lit by bursts of tracers.  As it was happening, CNN anchor Don Lemon asked Robertson to “get close to a window or an opening” so audiences could listen to the action.

Then, CNN milked the footage, accompanied by breathless commentary by Lemon.

Gushed Lemon the next day: “Nic Robertson and I were on the air live when the shots rang out in Tripoli.  Perhaps the most dramatic moment so far of this conflict. We’ll show you how it all unfolded live.”

cut to commercial break

Don Lemon: “and perhaps the most dramatic moments of this conflict played out live on this broadcast. Our Nic Robertson was on the air with me when the shots began in response to the U.S. missiles in Tripoli on Saturday.  Here’s how it all unfolded live, on the air, last night.”

Okay - we get it. You were…on the air.  live.  But “perhaps the most dramatic moment of this conflict” - seriously?

Eventually, some members of the press were invited by the Libyan Information Ministry to view what they said was cruise missile damage at the Gaddafi compound.  (Per Al Jazeera English, Anita McNaught - their correspondent in Tripoli - was not invited.)

Robertson said the damage “looked” like a cruise missile strike due to “two holes in the roof.”  Comments by Lemon made it appear as if the strike was  a near certainty.

A single building was hit; by the Libyan government’s own admission there were no injuries.  CNN aired footage of rubble, electrical wire dangling from the ceiling.  A green Libyan flag was held in the camera shot and the Libyans hoisted some sort of debris in the air.

The footage was tame by any standard. At one point, it was hyped by Don Lemon as “remarkable” and “simply amazing.”  He called Nic Robertson’s reporting “fantastic.”

At 4;54p PDT (or so) on March 20, Lemon was hyperventilating that CNN “broke the story.”  Minutes later, over at Fox News, Steve Harrigan urged caution, saying “a producer is just back from scene. There are question marks about this story.” He expressed “skepticism about any claim this government makes. [Gaddafi is] clearly operating a propaganda war…[there have been] a number of deliberate attempts by [Libyan] government minders to herd reporters to scenes they want you to report….McQueen [sp.?] our security expert expressed some doubt about how recently this explosion might have taken place.”

Sometimes later (perhaps an hour or two) the damage to the single building in the compound was finally confirmed as a cruise missile strike.  But, as Hollywood Reporter’s Tim Goodman pointed out  “the end does not justify the means, hype-wise.”  (Goodman was writing about the nuclear crisis in Japan, but the point is the same.)

CNN’s tone was especially off key.  Finally, late Sunday night, weary after 48 hours of listening to the hype, I spouting off and  tweeted this:Incessant CNN hyping of missile strike & crowing about breaking the story - dare I say - makes them look like a Gaddafi tool.

March 20, 2011 11:25:31 PM PDT via web

Do I think CNN is a Gaddafi tool - absolutely not.  And certainly not Nic Robertson, a impressive and intrepid reporter who was actually with Peter Arnett in Baghdad during CNN’s golden age of reporting.   But he was a bit breathless at times, too.

What bothered me was the appearances.  CNN was probably just trying to keep their viewers engaged, and especially trying to keep them from changing the channel.

Since other reporters toured the damaged compound, CNN seemed in a rush to break the Gaddafi story.  But the gushing from the anchor desk made it very difficult to take them seriously.

It's Leonard Nimoy's 80th! - A Homage to Star Trek

Today is Leonard Nimoy’s 80th birthday.  Just…wow.  On Twitter, @theRealNimoy joyfully posted that he’s having a big bash, with 100 people, some traveling from great distances.

LLAP (live long and prosper) Mr. Nimoy.

I stumbled upon Star Trek by accident.  There were only three channels back then - NBC, ABC and CBS.  TV Guide was a bible back then, thick and square and substantive.  It arrived by mail on Tuesday or Wednesday.  I read it cover-to-cover.  (Tuesday or Wednesday was also the day the new Batman and Fantastic Four comics hit the stand - so it was a busy two days.)

Syndicate content